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{"id":809,"date":"2017-01-11T18:05:54","date_gmt":"2017-01-11T18:05:54","guid":{"rendered":"http:\/\/visualark.vcfa.edu\/?p=809"},"modified":"2017-01-11T18:05:54","modified_gmt":"2017-01-11T18:05:54","slug":"artist-teacher-ak-burns-new-museum-nyc","status":"publish","type":"post","link":"https:\/\/visualark.vcfa.edu\/2017\/01\/11\/artist-teacher-ak-burns-new-museum-nyc\/","title":{"rendered":"Artist-Teacher AK Burns @ New Museum | NYC"},"content":{"rendered":"\n\n\n\n
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\n

A.K. Burns<\/b>
\nShabby but Thriving<\/i><\/b>
\nJanuary 18\u2013April 23, 2017<\/span><\/span><\/p>\n

New Museum<\/b>
\n235 Bowery
\nNew York, NY 10002
\nUSA<\/p>\n

www.newmuseum.org<\/a><\/p>\n

\n

In the exhibition and residency\u00a0Shabby but Thriving<\/i><\/a>, A.K. Burns continues a serial work that draws on theater, science fiction, philosophy, and ecological anxieties. The project is organized around five elements: power (the sun), water, land, void, and body.<\/p>\n

In\u00a0Shabby but Thriving<\/i>, commissioned by and premiering at the New Museum as part of the Department of Education and Public Engagement\u2019s R&D Season: BODY, Burns presents the project\u2019s next chapter, a two-channel video staged within an installation that explores the subjugation and agency of various bodies. A video, titled\u00a0Living Room\u00a0<\/i>(2017\u2013ongoing), is the installation\u2019s central work; it was filmed in the New Museum\u2019s 231 Bowery space, a prewar building adjacent to the Museum that houses the artist-in-residence studio. Moving from its basement through the stairwells (partially renovated and often bearing relics of previous eras) and into a series of found and constructed interiors, the video treats the entire building as both a stage and a metaphorical body. The building exists as a hermetic ecosystem and protagonist in the narrative of\u00a0Living Room<\/i>, as performers use their bodies to labor and leisure, choreograph and dialogue, bathe and subsist within this vital architectural interior. Likewise, furniture and props act as both benign objects and political subjects.<\/p>\n

The installation includes sculptural objects that augment and animate the video\u2019s narrative: a stripped and gutted couch outfitted with underglow, cast bags of dirt embedded with foil candies, a carpet soiled during the couch demolition, and fishing lures and lines stretched across walls.<\/p>\n

The exhibition is curated by Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement, and Sara O\u2019Keeffe, Assistant Curator.<\/p>\n

Public programs<\/b><\/p>\n

Body Politic: From Rights to Resistance<\/b>
\nSunday, February 5, 11:30am\u20136:30pm<\/span><\/span><\/p>\n

This event features information sessions with lawyers, activists, and grassroots organizers on issues centered around the body: civil disobedience, protest, healthcare, policing, prisons, immigration, and environmental contamination. Each session will focus on resource sharing and modes of resistance, and will include presentations followed by discussion with the audience. Participants include staff from Callen-Lorde Community Health Center, the Center for Constitutional Rights, the Center for Reproductive Rights, the New York Civil Liberties Union, the New York Environmental Law and Justice Project, and the Sylvia Rivera Law Project.<\/p>\n

The Question of Quantum Feminism<\/b>
\nThursday, March 9, 7pm<\/span><\/span><\/p>\n

This roundtable discussion brings together artists exploring the evolving and expansive topic of quantum feminism, and considers how an understanding of bodies as sensory systems can be a starting point for discussions around ethics and \u201centangled relations of difference.\u201d Panelists include A.K. Burns, Harry Dodge, Carolyn Lazard, Anicka Yi, and Constantina Zavitsanos.<\/p>\n

Listening Party: Poetry and Record Release for\u00a0Leave No Trace<\/i><\/b><\/a>
\nThursday, April 20, 7pm<\/span><\/span><\/p>\n

In celebration of A.K. Burns\u2019\u00a0Leave No Trace\u00a0<\/i>(2016) this record release party includes performances and readings by artists and writers including Justin Allen, Fia Backstr\u00f6m, CAConrad, Katherine Hubbard, and Juliana Huxtable.\u00a0Leave No Trace<\/i>\u00a0is an experimental audio project released as a limited edition vinyl with an accompanying poem. The recording consists of two full length LP tracks that combine ambient environmental recordings, vocalization, sounds generated from various materials, and an old electric guitar. The title references wilderness ethics, pointing to questions around unregulated spaces, bodies and actions that go unrecorded, and what is natural or naturalized.<\/p>\n

Support for\u00a0A.K. Burns: Shabby but Thriving<\/i><\/a><\/b><\/p>\n

About New Museum<\/b>
\nThe New Museum is the only museum in New York City exclusively devoted to contemporary art. Founded in 1977, the New Museum is a center for exhibitions, information, and documentation about living artists from around the world. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery designed by SANAA in 2007, the New Museum continues to be a place of experimentation and a hub of new art and new ideas.<\/p>\n<\/div>\n<\/div>\n<\/td>\n

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A.K. Burns,\u00a0Living Room\u00a0<\/em>(production still),<\/em>\u00a02017\u2013ongoing. Two-channel HD video, color, sound,\u00a036 minutes. Courtesy the artist and Callicoon Fine Arts. Photo: Eden Batki.<\/p>\n<\/td>\n

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Running sports<\/a> | Air Jordan Release Dates 2020<\/a><\/span>