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{"id":1456,"date":"2020-11-13T15:10:07","date_gmt":"2020-11-13T15:10:07","guid":{"rendered":"https:\/\/visualark.vcfa.edu\/?p=1456"},"modified":"2021-04-23T14:40:46","modified_gmt":"2021-04-23T14:40:46","slug":"we-cover-the-waterfront-clea-felien","status":"publish","type":"post","link":"https:\/\/visualark.vcfa.edu\/2020\/11\/13\/we-cover-the-waterfront-clea-felien\/","title":{"rendered":"We Cover the Waterfront – Alumnx Profile: Clea Felien (W 07)"},"content":{"rendered":"
<\/div>\n

We Cover the Waterfront: <\/h1>

conversations with VA alumnx, faculty and guests<\/p>\n<\/div>

<\/div><\/div><\/div>\n
<\/div>\n
<\/div>\n

Alumnx Profile<\/strong>: Clea Felien (W 07)<\/p>\n<\/div><\/section>\n

<\/div><\/div><\/div>\n

Clea Felien<\/a> has been exhibiting her work in Midwest and East Coast galleries <\/em>and museums for over fifteen years. Including group shows at the Museum of Modern Art (MoMA) in N.Y., the Massachusetts Museum of Contemporary Art (Mass MoCA) as a featured artist, Mia (the Minneapolis Institute of Art, The Figge Museum, as well as gallery representation in Chelsea, New York.<\/em><\/p>\n

Felien has thirteen years of study in art schools. She received her BFA from the Minneapolis College of Art and Design and her MFA from the Vermont College of Fine Arts in painting with an emphasis in art theory. She studied five years at the Atelier in Mpls (a 19th Century French Academic realist portrait painting school) and one year of anatomical drawing at the Art Students League in New York City. Her work is predominantly painting and drawing. Felien is Assistant Professor of Studio Art at Sonoma State University, California.<\/em><\/p>\n<\/div><\/section><\/div>\n

How has the pandemic affected your practice?<\/strong><\/p>\n

Before the shelter in place order I had been working on a series of portraits of the billionaires like Jeff Bezos, Bill Gates, the Kanders (who made their billions on tear gas) and then also the Sacklers, the opioid billionaires. I was in the middle of finishing up this series during the pandemic, then I took a break because I was floored by what was going on. I think all of us were. I started paintings of houses, little angelic houses surrounded by dark scary colors for Positive Pandemic Experiment (PPE)<\/a>, the shelter in place Instagram show that I was in.<\/p>\n

Before, every other weekend I would go out and look at other people\u2019s work. I can\u2019t do that now because I don\u2019t get to leave my house really. When I look at stuff online it\u2019s absolutely not the same, especially painting. I mean any art really, painting or sculpture, you want to get in there and really see it. And that is painful not to be able to see real art.<\/p>\n<\/div><\/section><\/div>\n

What motivated you to make the Colonizer paintings?\u00a0<\/strong><\/p>\n

The most profound thing for me was the Black Lives Matter<\/a> movement and all of the demonstrations. I’m from Minneapolis and George Floyd was murdered six blocks from where I grew up. I know that neighborhood like the back of my hand. My son and my niece live in my dad’s house there now, on Powderhorn Park, which is right where all the looting happened on Lake street, a block and a half from their house. That affected me greatly.<\/p>\n

My niece is black. White supremacists broke the fence in our backyard screaming \u201cCome get the N-words! Let’s get the N-words!\u201d My son and some neighbors are still patrolling that neighborhood because the police won’t go there now.<\/p>\n

So, I started thinking \u2013 where does this come from \u2013 you know? I started looking at all these colonialists and thinking this is where it started for this country, for what we’re dealing with now, for the legacy of slavery. I\u2019m just going to paint these guys. I started painting all these colonialists and leaving them sort of half-finished and gnarly \u2013 they are like ghosts. They kind of fade away.<\/p>\n<\/div><\/section><\/div>\n