Artists Reception Monday, September 18, 2017, 6-8pm.<\/p>\n
NYU Gallatin School of Individualize Study<\/p>\n
1 Washington PL, New York, NY 10003<\/p>\n
Participating Artists:<\/p>\n
Agnes Denes<\/a>\u00a0 \u2022 \u00a0Ismail Ferdous<\/a>\u00a0\u00a0\u2022\u00a0\u00a0Gideon Mendel<\/a>\u00a0 <\/a>\u2022\u00a0<\/a>\u00a0Civic Laboratory for Environmental Action Research (CLEAR)<\/a>\u00a0 \u2022 \u00a0 Mark Read and Grayson Earle<\/a> \u2022 \u00a0Architecture and Urban Design LAB 2017 sponsored by Global Design NYU<\/a> \u2022 \u00a0\u00a0Mary Mattingly<\/a>\u00a0\u00a0\u2022\u00a0The Yes Men<\/a>\u00a0\u2022 \u00a0nadahada<\/a><\/p>\n Ceremony of Innocence\u00a0<\/strong><\/p>\n Video Installation The title of this piece is taken from William Butler Yeats\u2019 poem, The Second Coming, excerpted below. The projected image, Excerpt from The Second Coming<\/p>\n \u201cTurning and turning in the widening gyre \u2013 William Butler Yeats, The Second Coming<\/p>\n Grayson Earle<\/a>\u2019<\/strong>s diverse technological practice is unified by a political approach to media making. Employing video games, video projection, algorithmic audiovisual generation, biological organisms, and robotics, his work tends to intervene on physical spaces and entrenched ideas. His creative practice articulates a repositioning of resistance to power that invites participation from reluctant citizens. Mark Read <\/a><\/strong>is best known as the artist-activist that produced the \u201cOccupy Wall Street Bat Signal\u201d in November of 2011. Subsequent to that projection-intervention Read initiated The Illuminator project, which has gone on to produce hundreds of projection-interventions around the world. The Illuminator\u2019s work has received wide acclaim from both social activists and the art world. Their work has been featured in academic publications such as Public Art Dialogue, and exhibited in galleries and museums, including the Brooklyn Museum. In 2016 The Illuminator was Artist in Residence at the Hemispheric Institute for Performance and Politics. Read teaches courses on art and politics at New York University, where he is employed as an adjunct professor.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n latest Running Sneakers<\/a> | Best Custom Jordans of All Time – Fashion Inspiration and Discovery<\/a><\/span>
\nWater, Steel, Oil Drum, Video Projection<\/p>\n![\"\"](\"http:\/\/galleries.gallatin.nyu.edu\/wp-content\/uploads\/2017\/08\/Symbol1.jpg\")
, is a newly introduced international symbol for extinction. The sunken image, ![\"\"](\"http:\/\/galleries.gallatin.nyu.edu\/wp-content\/uploads\/2017\/08\/abc.jpg\")
, is a recognized international astronomical symbol for Earth. The artists will be replacing the block of ice each day throughout the weeklong exhibit, at approximately 3:00pm, except for Sunday, September 17th.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nThe falcon cannot hear the falconer;
\nThings fall apart; the centre cannot hold;
\nMere anarchy is loosed upon the world,
\nThe blood-dimmed tide is loosed, and everywhere
\nThe ceremony of innocence is drowned;
\nThe best lack all conviction, while the worst
\nAre full of passionate intensity.\u201d<\/p><\/blockquote>\n<\/div>\n<\/div>\n
\nEarle (b. 1987) lives and works in Brooklyn, NY. He teaches at Hunter College, split between the Computer Science, Film and Media, Integrated Media Arts, and Studio Art MFA programs. This interdisciplinary posture is emblematic to his work as an artist, and is an approach he proselytizes in his courses on game programming, electronics, and generative art.
\nRecent displays of his work include SeoulArts in South Korea; Eastern Bloc and Centre Phi in Montreal; the Brooklyn Museum, Macy Gallery, and Babycastles in New York City; and the Media Arts Festival in Tokyo. He has published essays on the socioeconomic implications of the Cold War on abstract expressionism in the United States and Russia, as well as new methods for rhetorical approaches in video games<\/p>\n